When Terri flew from England to New York to help plan her cousin Kate's wedding, she didn't know what she expected - but it certainly wasn't the Argeneaus. Her new in-laws may seem a little strange, with the sometimes-chipper sometimes-brooding writer Lucern - Kate's fiancee - and Vincent, the wacky stage actor (she couldn't imagine Broadway casting a hungrier looking all singing, all dancing Dracula), but having just discovered how expensive New York hotels can be, suddenly their offer of accomodation looks much more attractive...and then there's Bastien. Even taller, darker and hungrier looking than the other two, just looking into his eyes is enough to make Terri admit she's falling for him. Surely she can put up with the Argeneau's odd habits for a few days - to stay in their luxurious penthouse apartment, with the lovely Bastien - if it lets her avoid New York's blood-sucking hotel prices!
Kitty's radio show, Kitty's Midnight Hour, is as popular as ever, and now she has a boyfriend who actually seems to understand her. Can she finally settle down to a normal life? Not if this is just the calm before the storm. When her mother falls ill, Kitty rushes back to Denver -- and right back to the abusive pack of werewolves she escaped a year ago. To make matters worse, a war is brewing in the vampire community as Denver's two oldest vampires vie for the city, threatening the whole supernatural community. Though she wants to stay neutral, Kitty is once again drawn into a world of politics and violence. To protect her family, her lover, and herself, she'll have to choose sides ...and maybe become what she hates most about her kind: a killer.
Talk radio host and celebrity werewolf Kitty Norville has agreed to appear on TV's first all-supernatural reality show. What she's expecting is cheesy competitions and manufactured drama starring shapeshifters, vampires, and psychics. But what begins as a publicity stunt is all too quickly turning into a fight for her life. Kitty and her fellow housemates arrive at the remote mountain lodge where the show is set, but no sooner does filming start when violence erupts. It doesn't take Kitty long to suspect the show is nothing more than a cover for some nefarious plot. Then the cameras stop rolling, cast members start dying, and Kitty learns she and her monster housemates are not battling for a prize: they are, ironically enough, themselves the ultimate prize, in a very different game. Stranded with no power, no phones, and no way to know who can be trusted, she must find a way to defeat the evil closing in ...before it kills them all.
condensed guide to life from the bestselling author of "The Black Swan", Nassim Nicholas Taleb's "The Bed of Procrustes" is an invaluable collection of aphorisms to help you navigate the modern world. Why are we so often unwilling to accept that life is unpredictable? In this brilliant book Nassim Nicholas Taleb distils his idiosyncratic wisdom to demolish our illusions, contrasting the classical values of courage, elegance and erudition against modern philistinism and phoniness. Only by accepting what we don't know, he shows, can we see the world as it really is. "Happily provocative ...blistering ...his observations concern superiority, wealth, suckerdom, academia, modernity, technology and the all-purpose, ignorant "they" ...very quotable". ("The New York Times"). "A master philosopher". ("The Times"). "Taleb's crystalline nuggets of thought stand alone like esoteric poems". ("Financial Times"). "Opinionated and witty...It showcases his wit and learning, and provides ways to fillet his enemies". ("Independent on Sunday"). Nassim Nicholas Taleb spends most of his time as a flaneur, meditating in cafes across the planet. A former trader, he is currently Distinguished Professor of Risk Engineering at New York University. He is the author of "Fooled by Randomness" and "The Black Swan", an international bestseller which has become an intellectual, social, and cultural touchstone.
Three soldiers recently returned from the war in Afghanistan are in custody at Ft Carson in Colorado Springs. They're werewolves, suffering from post traumatic stress, which has left them unable to control their shapeshifting, unable to interact with people. Kitty agrees to see them; after her own battles in KITTY'S HOUSE OF HORRORS (Kitty #7), she feels a great deal of sympathy for them. The soldiers were part of a unit fighting Taliban insurgents in the remote mountains of Afghanistan. Their captain, the original werewolf, transformed the others; their new-found strengths including the ability to survive untold violence while infiltrating remote enemy positions, made them the perfect soldiers for this mission. But it was the captain who kept the group together and kept them sane; when a particularly potent mortar attack killed the captain, the remaining lycanthrope soldiers grew more and more wild, until the final three survivors were captured and delivered to Dr Shumacher at the Center for the Study of Paranatural Biology for treatment. Kitty tries to bring the men into her own pack, to socialise them back into some kind of normal existence, but the group's sergeant has other plans: he's intent on driving out Kitty and Ben and becoming the leader of a new squad of killers.
There's a hot were-jaguar in town, and Kitty's hungering for his touch ...Celebrity werewolf and late-night radio host Kitty Norville prefers to be heard and not seen, but when she's invited to testify at a Senate hearing on behalf of the country's supernaturals, her face gets plastered all over national TV. Before long Kitty's inherited a brand-new set of friends and enemies, including the vampire mistress of the city, an uber-hot Brazilian were-jaguar, and a Bible-thumping senator who plans to expose Kitty as the monster he truly believes her to be. Kitty quickly learns that in this city of dirty politicians and backstabbing pundits, everyone's itching for a fight - and she's about to be caught in the middle.
Merit, Chicago's newest vampire, is learning how to play nicely with others. Other supernaturals, that is. Shapeshifters from across the country are convening in the Windy City, and as a gesture of peace, Master Vampire Ethan Sullivan has offered their leader a very special bodyguard: Merit. Merit is supposed to protect the Alpha, Gabriel Keene - and to spy for the vamps while she's at it. Oh, and luckily Ethan's offering some steamy, one-on-one combat training sessions to help her prepare for the mission. Merit has to accept the assignment, even though she knows that she'll probably regret it. And she's not wrong. Someone is gunning for Gabriel Keene, and Merit soon finds herself in the line of fire. She'll need all the help she can get to track down the would-be assassin, but everywhere she turns, there are rising tensions between supernaturals - not least between her and a certain green-eyed, centuries old master vampire
A Vampire Huntress is born every thousand years - someone to lead the Warriors of Light as they fight against the Dark Realms. Damali Richards, born on to the streets of L.A., brought up in the Projects, is our Huntress. The Hunters and the Vampires are fighting in hell and on our streets and Damali will lead the Hunters in the Final War. L.A. Banks' novels are steeped in both vampire lore and hip-hop culture and feature a vivid cast of black heroines and heroes. This is dark fantasy for the hip-hop generation.
TOO DARN HOT! Kitty and Ben thought they were done with Las Vegas, but it's beginning to looks like Vegas isn't done with them. A sadistic cult of lycanthropes and their vampire priestess have laid a curse on Kitty, revenge for her disrupting their rituals, and now an invisible evil that smells like brimstone and plays with fire has followed them home. The next full moon triggers danger and destruction in the form of fire, and it's not just targeting Kitty, but the pack of werewolves she's sworn to protect. Kitty needs help if she's going to be able to extinguish the terror that's threatening to torch them all!
The supernatural community in Bon Temps, Louisiana is reeling from two hard blows: the natural disaster of Hurricane Katrina and the manmade horror of the explosion at the vampire summit in the up-north city of Rhodes. Sookie Stackhouse is safe but dazed and she's yearning for things to get back to normal. But that's just not happening. Too many vampires - some friends, some not - were killed or injured and her were-tiger boyfriend Quinn is among the missing.
It's clear that things are changing, whether the weres and vamps like it or not. And Sookie, Friend to the Pack, blood-bonded to the leader of the local vampire community, is caught up in those changes. She's about to find herself facing danger and death and, not for the first time, betrayal by someone she loves.
And when the fur has finished flying and the cold blood has stopped flowing, Sookie's world will be forever altered...
This edition presents the classic free translation by Edward Fitzgerald of the great Persian poem by the 12th century astronomer and poet - Omar Khayyám. Fitzgerald's masterful translation was first published as an anonymous pamphlet in 1859. Its colourful, exotic and remote imagery greatly appealed to the Victorian age's fascination with the Orient, while its luxurious sensual warmth acted as a striking counterpoint to the growth of scientific determinism, industrialisation and the soulless Darwinian doctrine of the survival of the fittest. Greatly praised by Dante Gabriel Rossetti, Swinburne, Ruskin and William Morris, the romantic melancholy of the poem anticipates the poetry of Matthew Arnold and Thomas Hardy, while its epicurean motifs link it to the Aesthetic Movement.
Sookie Stackhouse enjoys her job as a cocktail waitress in Merlotte's, a small-town bar in small-town Bon Temps, deep in Louisiana. She's funny and pretty and, thanks to her grandmother, she's very well-mannered - but since not many people truly appreciate her ability to read their minds, the guys haven't exactly been beating down her door ...And then along came Bill, tall, dark and handsome - and Sookie couldn't 'hear' a word he was thinking. He was exactly the type of guy she'd been waiting all her life for. Of course, Bill had a disability of his own: fussy about his food, not into suntans, bit of a night person: yep, Bill was a vampire. But at least now Sookie nows there *are* guys she can date who won't worry about her catching them thinking about other women ...And that's going to make Sookie's life really interesting!
VAMPIRES IN CHICAGO! You'd think a headline like that would have made the fine citizens of the Windy City to take up arms against us bloodsucking fiends. Instead, ten months later, we're enjoying celebrity statue and fending off the paparazzi, who are only slightly less dangerous than angry stake-wielding slayers. Don't get me wrong - Joe Public isn't exactly thrilled to be living side by side with the undead, but at least they haven't stormed the castle ...not yet ...But it could be a matter of time. There's a first-time reporter sniffing around vampire society, and if he uncovers the Raves - mass feeding parties, where vampires round humans up like cattle and drink themselves silly. The fact that it's majorly frowned upon by vamp society won't make a difference to that kind of a headline, or a new reporter who's out to impress his family. So now my 'master' - the centuries-old yet gorgeously well-preserved Ethan Sullivan - wants me to reconnect with my own upper-class family and act as liaison between humans and vampire ...and use the opportunity to keep the less savoury aspects of vamp existence out of the media spotlight. Tough job, when it seems someone doesn't want vamps and humans to play nicely - someone with a serious, ancient grudge ...
Joseph Sheridan Le Fanu (1814-1873) was one of the great masters of Victorian of mystery and horror fiction, and can be regarded as the father of the modern ghost story. In a Glass Darkly (1872), one of his most celebrated volumes, purports to be the casebook of Dr Hesselius, a pioneer psychologist. These five tales represent some of Le Fanu's most accomplished work, which rises above the staid conventions of the age. Although drawing on Gothic conventions - the book features both ghosts and vampires - Le Fanu redefined the parameters of supernatural fiction. He had little interest in the crude depiction of other worldly phenomena in order to provide the reader with a pleasurable frisson of fear. Le Fanu concern rather lay in the examination of the results of supernatural experience on the psyche of his protagonist, in this he paved the way for the work of Henry James and M. R. James. This volume is an indispensable cornerstone of modern horror and remains one of the finest collections of unsettling fiction in the language.
Sookie doesn't have that many relations, so she hated to lose one - but of all the people to go, she didn't expect it to be her cousin Hadley, a consort of New Orleans' vampire queen - after all, Hadley was technically already dead. But she is gone, beyond recall, and she's left Sookie an inheritance - one that comes with a bit of a risk - not least because someone doesn't want Sookie digging too deep into Hadley's past - or her possessions. Sookie's life is once again on the line, and this time the suspects range from the rogue werewolves who have rejected Sookie as a friend of the pack to her first love, the vampire Bill. Sookie's got a lot to do if she's going to keep herself alive ...The Sookie Stackhouse books are delightful Southern Gothic supernatural mysteries, starring Sookie, the telepathic cocktail waitress, and a cast of increasingly colourful characters, including vampires, werewolves and things that really do go bump in the night.
Sure, the life of a graduate student wasn't exactly glamorous, but it was mine. I was doing fine until Chicago's vampires announced their existence to the world - and then a rogue vampire attacked me. But he only got a sip before he was scared away by another bloodsucker ...one who decided the best way to save my life was to take it. Turns out my saviour was the master vampire of Cadogan House. Now I've traded sweating over my thesis for learning to fit in at a Hyde Park mansion full of vamps loyal to Ethan 'Lord o' the Manor' Sullivan. Of course, as a tall, green-eyed, four hundred year old vampire, he has centuries' worth of charm, but unfortunately he also seems to expect my eternal gratitude - and servitude. Right ...But my burgeoning powers (all of a sudden, I'm surprisingly handy with some serious weaponry), an inconvenient sunlight allergy, and Ethan's attitude are the least of my concerns. Someone's out to get me. Is it the rogue vampire who bit me? A vamp from a rival House? An angry mob bearing torches? My initiation into Chicago's nightlife may be the first skirmish in a war - and there's going to be blood ...
Jane Eyre ranks as one of the greatest and most popular works of English fiction. Although Charlotte Bronte's heroine is outwardly plain, she possesses an indomitable spirit, and great courage. Forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order which circumscribes her life when she becomes governess to the daughter of the mysterious, sardonic Mr Rochester. Villette is based on Charlotte Bronte's personal experience as a teacher in Brussels. It is a moving tale of repressed feelings and cruel circumstances borne with heroic fortitude. Rising above the confinement of a rigid social order, it is also a story of a woman's right to love and be loved. Wuthering Heights is Emily Bronte's wild, passionate tale of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and, wrongly believing that his love for Catherine is not reciprocated, he leaves Wuthering heights. When he returns years later as a wealthy man, he proceeds to exact a terrible revenge for his former miseries. Agnes Grey, Ann Bronte's deeply personal novel, is a trenchant expose of the frequently isolated, intellectually stagnant and emotionally starved conditions under which many governesses worked in the mid-nineteenth century. The Tenant of Wildfell Hall shows Ann Bronte's bold, naturalistic and passionate style. It is a powerful and sometimes violent novel of expectation, love, oppression, sin and betrayal. It portrays the disintegration of the marriage of Helen Huntingdon, the mysterious 'tenant' of the title, and her dissolute, alcoholic husband.